Garance Hayat was preparing to become a German teacher, but that was before entering the cinema library and discovering Dreyer, Griffith, Lubitsch...
To see even more films (even rubbish ones), she found nothing better than to become a film critic. Its average: 300 films per year. She shares her passion on the airwaves of Fréquence Protestante, she sometimes puts her two cents into scripts currently being written. Garance Hayat speaks but also knows how to write. She was head of the cinema section at Aime magazine and collaborated, among others, with the magazines Chronic’art and Paris Mômes. A member of the French Union of Cinema Critics, she has been, since 2020, the press officer for the Ecumenical Jury Prize for the Cannes Film Festival.
